Tag Archives: Holding Silvan

How Revision Brings Us Closer

This first Friday in July, I’m thrilled to offer a guest post by my friend and colleague Monica Wesolowska. Her memoir, Holding Silvan, will blow you away.  And she’s got some nifty insights here, too.  Thank you, Monica! At a recent reading from my memoir Holding Silvan, a friendly young man in the audience asked how I’d managed not to be angry or bitter in the book about the people who’d failed me while Silvan was alive. I had to laugh. I could have said the memoir just came out like that because I’m naturally a lovely person, but catching … Continue reading

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Only Connect

I’m in a scattershot mood this morning, so today’s post will be rather scattershot. First, I’d like to give a shout-out to three colleagues with recently published books: Lana Dalberg, BIRTHING GOD Judith Newton, TASTING HOME Monica Wesolowska, HOLDING SILVAN I’ve mentioned all three on Facebook, and Monica guest-blogged here a few months ago, but I must mention them again here.  If I can bring even one new reader to any of these books, which deserve many, I’ll be thrilled. ** About a month ago, my cell phone died.  I had an old model, a decidedly-not-smart least-expensive model on the … Continue reading

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The Next Big Thing: Her Current Project

Today I’m happy to host my friend and colleague Monica Wesolowska on this blog.  Her answers show her gift for startling imagery, emotional acuity, and just darned good writing. Her book, Holding Silvan (publication March 2013), is gorgeous. Also, today, I have some good news to share.  I have two short stories—“The Ruins” and “Moles”—that will be out in 2013 between the covers of Arroyo Literary Review and Pisgah Review. (No firm dates yet.)  After a dry spell of not writing (or publishing) much (or any) fiction, I’m thrilled to see these two stories find a home in print. And, … Continue reading

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How Much Is Too Much, Part II

Last week, I blogged about the quandary of how to respond to student work. Here, a few writing teachers I admire share their approaches. Laurie Ann Doyle teaches creative writing at UC Berkeley Extension. Her story “Restraint” will be published in Midway Journal  this summer. Constance Hale, author of Sin and Syntax and the forthcoming Vex, Hex, Smash, Smooch, has taught narrative nonfiction writing at UC Berkeley Extension, Boston University, and Harvard University. Wendy Tokunaga teaches fiction at University of San Francisco and Stanford Continuing Ed.  The author of three published novels, she has work in two new anthologies, Madonna … Continue reading

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